Die roles of youth in the culture todays come under investigation in an exhibition by four Russian joint artists, die as die AES+F group admit are. Curated by Olga Sviblova, director Multimedia of the art center in Moscow, show at the station museum of the contemporary art gets more together two photographic installations and an mind impact, post apokalyptisches video this show, why die members of the group — act IANA Arzamasova, Lev Evzovich, Evengy Svyatsky and Vladimir Fridkes — are in the demand on the international art electric circuit Die Kw_threefuehrung, highly soluble video, last rebellion ( 2007), illustrations die fast expansion of the virtual world taken to end of history oversizes.
Androgynous Teens “epochs of the latter exist at the same time with that future, and creation goes hand in hand with decay,” writes Sviblova into die exhibition brochure of the uncanny of cyber paradieses AES+F caused to the great effect, to animation the 3-D using is. Apparent are only people, which is left this brave in the new world, a group androgynous are in a juvenile manner models, die in the always-lasting, choreografierten fight locked, which Sviblova describes suitably as “somnambulistic dance battle”, which is reminding of aesthetic Caravaggios, in order not to mention those of the innumerable magazine ADS and video the games. As music the Richard wagner of the plays, have indications of the continuous destruction worlds and renewal around die world-forgotten fighter the abundance. Missiles fire and surface abort, but meanwhile, rodents divide copulate and pterodactyl like creatures die landscape — sometimes arctic, sometimes desert, sometimes green with containers. Remainders of the cultural remnants of all nations and marks pervade die new epoch.
Nobody feels meanwhile, the Teensunterhalt at it in the slow motion and fires their rifles and slits die throats of everyone others and zerstoesst differently with baseball blows. But does not keep buried become drop blood, and nobody receives Hurt. Nobody seems to believe to everything. Like die artists into die brochure write, “it give no longer each possible difference between victims and aggressors, man and Mrs. This world celebrate the end of the ideology, history and the ethics.” And along with it, the end of the inclination. There is a quantity comment here over the reorganization of war and die narcotizing effects of announcing Die artists has struck ideal a balance between using seduction and die repulsion, to their points They’ve to form caused a really hypnotisierendes video in process. It is simple to see, why this video that well war, which became to receive in the 52nd Venice Biennale.
Half and half for suspicious ones: Seven Sinners and Seven Righteous (1997), AES+F photographed 14 girls between the age of 11 and of 15. Shot approximately zero-background, could these direct pictures increased yearbook photos be, but there is a torsion: Half die girls in a Moscow were photographed school, and other seven shot in a reformatory for criminal girls Die members of the last group had all fixed murders, frequently during the arguments. Their victims were frequently men, they, whom concerned said to them.
Die installation surrounds you with the photographs of all 14 girls and demands you too try and to the illustration out out, which die murderers are. It is of course to tell impossible, and die artists hold back die identities of the girls. Seeing a piece, you like this in Texas, with our lively step Kw_deathstrafenueberzeugungen, unnerving particularly, upset by executions and, after you have you chance 50-50 of the Seins wrong realize over, whom die murderers are around you. But die artists represent also the phenomenon of the juvenile female murderers as symptom social and to economic circulations of Russia in the mid-90s, when, while Sviblova writes, “one searched hopelessly, thus way survived under the new circumstances of ‘ wild capitalism.’ sometimes Women and die children, die out turned, in order to be die ‘ weak connection, ‘ sometimes reacted for situation in the destructive and insufficient ways.”
Cover OD out out corpses, die Defile (2000 2007) of the digital collages consists, die to be attached on, seven lightboxes. To create seven die series, die photographed and videotaped artist unknown bodies in a corpse corpse housecorpse house, then manipulated die firing phase models, die kind and way dresses They then carry, die pictures to a create project career nightmare: Corpses decked clothes, fluttering clothes out in the kind of high and way, as if die dead models on the set photo shoot or rushing down a Catwalk were. Since die artists show out, humans verziert ” death” for a long time. Kw_way they pair the youth-fixed Temporality of the high way with the unavoidability of the decay and death is interesting, but it, since AES+F writes, grant these diseased forms a sense to “of became and from beauty in death”? Possibly Since these corpses as unknown classified, possibly gives this project it, die die correct they had never send away douglas.britt@chron.com
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